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●源氏物語に関する国際研究のなかで、この30年間に発表された先駆的英文論文約50点を収録。日本語解説別冊付。
源氏物語千年紀を越え海外でも「源氏」への関心はさらに高まり、学術研究の分野でも今日の文学理論や学際的側面からの「源氏」の読み直しが進んでいます。現在編集の進んでいる本書は、これからの「源氏研究」への新しい視座を提供し、より国際的な研究が促進することを目的に、文学研究誌や評論集などに掲載された英語論文のなかから、今後の研究に不可欠な論述をテーマ別に約50点の英語論文を全３巻にまとまるものです。
第１巻はナラトロジー、詩学、文化・芸術研究からのアプローチ、第２巻はセクシャリティーやジェンダーの視点から研究、そして第３巻は能研究、絵巻研究など他分野との関わりと海外での「源氏」受容についての論集となる予定です。1980年、90年代の研究を中心に最新の研究動向まで、今日の源氏物語に関する国際研究を俯瞰できる貴重な文献集です。収録はすべて版を組み直し、編者リチャード・オカダ（プリンストン大学教授）による詳しい英文解説に加え日本語での概説が別冊で付録されます。「源氏」をめぐる比較文学研究や様々な文学・文化研究にどうぞご活用ください。
なお、本書は日本文学に関する主要英語論文をテーマ別に集める新シリーズ、Japanese Literature in English の第１回配本として刊行されるものです。次回配本は『夏目漱石：現代英語論文集成』を予定しております。
収録論文:-
Acknowledgements / Chronological Table
Introduction by Richard H. Okada
Volume I: Cultures of Reading The Tale of Genji
1. “The Cultural Background,” Richard Bowring, Murasaki Shikibu: The Tale of Genji. Cambridge: Cambridge U. Press, 1998: pp. 1-21.
2. “Language and Style,” Richard Bowring, Murasaki Shikibu: The Tale of Genji. Cambridge: Cambridge U. Press, 1998: pp. 53-75.
3. “The Order of The Early Chapters in The Genji monogatari,” Aileen Gatten,
Harvard Journal of Asiatic Studies, Vol. 41, No. 1 (June 1981), pp. 5-46.
4. “Kingship and Transgression,” Haruo Shirane, Bridge of Dreams: A Poetics of ‘The Tale of Genji.’ Stanford: Stanford U. Press, 1987: pp.3-16.
5. “Narrating the Private,” H. Richard Okada, Figures of Resistance: Language, Poetry, and Narrating in The Tale of Genji and Other Mid-Heian Texts. Durham: Duke U. Press, 1991: pp.183-196.
6. “Flowering Fortunes,” Haruo Shirane, Bridge of Dreams: A Poetics of ‘The Tale of Genji.’ Stanford: Stanford U. Press, 1987: pp.24-40.
7. “Substitutions and Incidental Narrating: ‘Wakamurasaki,”’ H. Richard Okada, Figures of Resistance: Language, Poetry, and Narrating in The Tale of Genji and Other Mid-Heian Texts. Durham: Duke U. Press, 1991: pp.250-265.
8. “Lady Murasaki’s Erotic Entertainment: The Early Chapters of The Tale of Genji,” Royall Tyler, East Asian History, No. 12 (December 1996): pp. 65-78.
9. “The Substratum Constituting Monogatari: Prose Structure and Narrative in the Genji monogatari,” Noguchi Takehiko, Principles of Classical Japanese Literature, ed. Earl Miner. Princeton, Princeton University Press, 1985: pp. 130-150.
10. “A Figure of Narrating: Tamakazura,” H. Richard Okada, Figures of Resistance: Language, Poetry, and Narrating in The Tale of Genji and Other Mid-Heian Texts. Durham: Duke U. Press, 1991: pp.214-231.
11. “A Wisp of Smoke: Scent and Character in The Tale of Genji,” Aileen Gatten, Monumenta Nipponica, Vol. 32, No. 1 (Spring 1977): pp. 35-48.
12. “The Lyric Mode and the Lament,” Haruo Shirane, Bridge of Dreams: A Poetics of ‘The The Tale of Genji.’ Stanford: Stanford U. Press, 1987: pp.120-132.
13. “Operation of the Lyrical Mode,” Esperanza Ramirez-Christensen, Ukifune: Love in the Tale of Genji, ed. Andrew Pekarik. New York: Columbia U. Press, 1982: pp. 21-61.
14. “Repetition and Difference: Ukifune,” Haruo Shirane, Bridge of Dreams: A Poetics of ‘The The Tale of Genji. Stanford: Stanford U. Press, 1987): pp. 151-166.
15. “Murasaki’s Art of Fiction,” Edwin A. Cranston, Japan Quarterly, Vol. 18, No. 2 (April-June 1971): 207-213.
16. “Politics and Poetics in The Tale of Genji,” Tomiko Yoda, Gender and National Literature: Heian Texts in the Construction of Japanese Modernity. Durham: Duke U. Press, 2004: pp.111-145.
Volume II: Gender, Sexuality, Women, and Men in The Tale of Genji
17. “Women and the Emergence of Heian Kana Writing,” Tomiko Yoda, Gender and National Literature: Heian Texts in the Construction of Japanese Modernity. Durham: Duke U. Press, 2004: pp. 81-110.
18. “Situating the ‘Feminine Hand,’” H. Richard Okada, Figures of Resistance: Language, Poetry, and Narrating in The Tale of Genji and Other Mid-Heian Texts. Durham: Duke U. Press, 1991: pp. 159-182.
19. “Three Heroines and the Making of the Hero,” Norma Field, The Splendor of Longing in The Tale of Genji. Princeton: Princeton U. Press, 1987: pp.18-85.
20. “Feminine Representation and Critique: ‘Hahakigi,’” H. Richard Okada, Figures of Resistance: Language, Poetry, and Narrating in The Tale of Genji and Other Mid-Heian Texts. Durham: Duke U. Press, 1991: pp. 197-213.
21. “They Also Serve: Ladies-in-Waiting in The Tale of Genji,” H. Mack Horton, Approaches to Teaching Murasaki Shikibu’s The Tale of Genji, ed. Edward Kamens. New York: The Modern Language Association of America, 1993: 95-107.
22. “Enter mono no ke: Spirit Possession in Cultural Context,” Doris Bargen, A Woman’s Weapon: Spirit Possession in The Tale of Genji. Honolulu: U. of Hawaii Press, 1997: pp. 1-31.
23. “Aoi,” Doris Bargen, A Woman’s Weapon: Spirit Possession in The Tale of Genji. Honolulu: U. of Hawaii Press, 1997: pp. 76-108.
24. “The Third Princess,” Doris Bargen, A Woman’s Weapon: Spirit Possession in The Tale of Genji. Honolulu: U. of Hawaii Press, 1997: pp. 150-187.
25. “Exit mono no ke: Spirit Possession in The Tale of Genji,” Doris Bargen, A Woman’s Weapon: Spirit Possession in The Tale of Genji. Honolulu: U. of Hawaii Press, 1997: pp. 245-250.
26. “The Value of Vulnerability: Sexual Coercion and the Nature of Love in Japanese Court Literature,” Margaret H. Childs, The Journal of Asian Studies, Vol. 58, No. 4 (Nov., 1999): pp. 1059-1079.
27. “The Tale of Genji: Two Cranes Flying Wing to Wing,” Paul Gordon Schalow, A Poetics of Courtly Male Friendship in Heian Japan, Honolulu: University of Hawaii Press, 2007: pp. 116-162.
28. “The Uji Chapters: Maidens of the Bridge,” Paul Gordon Schalow, A Poetics of Courtly Male Friendship in Heian Japan. Honolulu: University of Hawaii Press, 2007: pp. 163-187.
29. “Didactic Readings of The Tale of Genji: Politics and Women’s Education,” Haruki Ii, Envisioning The Tale of Genji, ed. Haruo Shirane. New York: Columbia U Press, 2008: 157-170.
30. “Speaking For: Surrogates and The Tale of Genji,” H. Richard Okada, Crossing the Bridge: Comparative Essays on Medieval European and Heian Japanese Women Writers, eds. Barbara Stevenson and Cynthia Ho. New York: Palgrave, 2000: 5-27.
Volume III: The Tale of Genji and Its Others
31. "The Informing Image: 'China' in Genji Monogatari," David Pollock, Monumenta Nipponica 38:4 (1985): pp. 359-376.
32. “The Reception of the Genji in the Middle Ages,” Janet Goff, in Noh Drama and The Tale of Genji: The Art of Illusion in Fifteen Classical Plays. Princeton: Princeton U Press, 1991: pp.14-29.
33. “The Genji and the Noh,” Janet Goff, in Noh Drama and The Tale of Genji: The Art of Illusion in Fifteen Classical Plays. Princeton: Princeton U Press, 1991: pp. 45-61.
34. “The Tale of Genji and the Development of Female-Spirit Nō,” Envisioning The Tale of Genji, Yamanaka Reiko, ed. Haruo Shirane. New York: Columbia U Press, 2008: 80-100.
35. “The Rite of Writing: Thoughts on the Oldest Genji Text,” Yoshiaki Shimizu, RES: Anthropology and Aesthetics 16 (Autumn 1988): pp.54-63.
36. “Figure and Fracture: The Tale of Genji Scrolls,” Yukio Lippit in Envisioning The Tale of Genji, ed. Haruo Shirane. New York: Columbia U Press, 2008: 49-80.
37. “Narrative Framing in the "Tale of Genji Scroll": Interior Space in the Compartmentalized Emaki ,” Masako Watanabe, Artibus Asiae, Vol. 58, No. 1/2 (1998): pp. 115-145.
38. “The Relationship Between the Romance and Religious Observances: Genji monogatari as Myth,” Sadakazu Fujii, Japanese Journal of Religious Studies Vol. 9, Nos 2-3 (June-September 1982): pp.127-146.
39. “The Function of Music in the Tale of Genji,” Yoshiko Kobayashi, Journal of Comparative Literature, Vol. 33 (1990): pp. 196-210
40. "Japanese Marriage Institutions In The Heian Period," William McCullough, Harvard Journal of Asiatic Studies 27 (1967), pp. 103-167.
41. "The Meaning Of Matrilocality: Kinship, Property, And Politics In Mid-Heian," Peter Nickerson, Monumenta Nipponica 48:4 (1993), pp. 429-468.
42. ‘Medieval Commentaries and Canonization of the Tale of Genji’, Lewis Cook, Envisioning The Tale of Genji, Columbia University Press 2008, pp. 129-153
43.“The Tale of Genji in the Eighteenth Century: Keichu, Mabuchi, Norinaga,” Thomas J. Harper, 18th Century Japan. Sydney: Allen & Unwin, 1989: pp. 106-123.
44. “Heian Fantasies: Nationalism and Nostalgia in the Reading of Genji,” Patrick Caddeau, Appraising Genji: Literary Criticism and Cultural Anxiety in the Age of the Last Samurai. New York: State U of New York Press, 2006: pp. 9-26.
45. “Wartime Japan, the Imperial Line, and The Tale of Genji,” Masaaki Kobayashi, Envisioning The Tale of Genji, ed. Haruo Shirane. New York: Columbia U Press, 2008: pp. 288-299.
46. “A Different Kind of Hero: The Tale of Genji and the American Reader,” Charles Dodson, No Small World: Visions and Revisions of World Literature, ed. Michael Thomas Carroll. Urbana: National Council of Teachers of English, 1996: pp. 179-188.
47. “The Tale of Genji,” Virginia Woolf, The Essays of Virginia Woolf, ed. Andrew McNeillie, Vol. 4, 1925-1928, New York: Harcourt, Inc., 1994: pp. 264-269
48. “Translation as Interpretation,” Masao Miyoshi, The Journal of Asian Studies, Vol. 38, No. 2 (Feb., 1979): pp. 299-302.
別冊（日本語解説）
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