| ●多民族アメリカ文学・文化研究の成果を分野別にコレクションする英語論文集成の第5弾。
●メキシコを中心としたヒスパニック系やラテンアメリカ諸国出身のアメリカ人を総称する、ラティーノ/ナによる文学・文化に関する過去約30年の研究論文、評論コレクション。
●民族及び小説、詩、劇など文学カテゴリー別に11の項目に分類し、学術誌、論文集などから精選した研究文献、計77点をすべて版を組み直し収録。
●アメリカ最大のエスニック・マイノリティーであるヒスパニック、ラテン系アメリカ文化は、今日のアメリカ研究に不可避なテーマで、そのテーマの最大級の論文集成。
●Multicultural American Literature: Comparative Black, Native, Latino/a, and Asian American Fictions（邦訳『多文化アメリカ文学―黒人・先住・ラティーノ/ナ・アジア系アメリカのフィクションを比較する』（原公章、 野呂有子訳、冨山房刊）他、多数のアメリカ多民族文学研究書で知られる編者の詳細な解説、年表、書誌と索引入り。
■目次
Acknowledgements
Selective Historical Chronology
Bibliography of Latino/a Writing
Introduction
Part 1: US Latino/a Literary Overviews
Part 2: Chicano/a Literary Statements, Overviews, Oral Tradition, Theory
Part 3: Chicano/a Fiction
Part 4: Chicano/a Poetry
Part 5: Chicano Drama
Part 6: Chicano/a Autobiographical Studies
Part 7: Puerto Rican/Puerto Riqueno/a Overviews
Part 8: Puerto Rican/Riqueno Literature
Part 9: Cuban American Literature
Part 10: Dominican American Literature
Part 11: North American Latino/a Writings
■収録文献明細
Volume I
Acknowledgements
Selective Historical Chronology
Bibliography of Latino/a Writing
Introduction
Part 1: US Latino/a Literary Overviews
1. Victor Hernandez Cruz, ‘Mountains in the North: Hispanic Writing in the U.S.A.’, in Red Beans (Minneapolis: Coffee House Press, 1991), pp. 87-91.
2. Rolando Perez , ‘What is “Minor” in Latino Literature?’, MELUS 30, 4, 2005, 89-108.
3. Gustavo Perez-Firmat, ‘Words That Smell Like Home’, in Tongue Ties: Logo-Eroticism in Anglo-Hispanic Literature (New York: Palgrave Macmillan, 2003), pp. 139-157.
4. A. Robert Lee, ‘Outside In: Latino/a Un-bordering in US Fiction’, in Jay Prosser (ed.), American Fiction of the 1990s: Reflections of History and Culture (London and New York: Routledge, 2008), pp. 17-30.
5. Ellen McCracken, ‘Postmodern Ethnicity as Commodity: Containment and Resistance in, New Latina Narrative: The Feminine Space of Postmodern Ethnicity (Tucson: University of Arizona Press, 1999), pp. 11-39.
Part 2: Chicano/a Literary Statements, Overviews, Oral Tradition, Theory
6. Rudolfo A. Anaya, ‘Aztlan: A Homeland without Boundaries’, in Rudolfo A. Anaya and Francisco Lomeli (eds), Aztlan: Essays on the Chicano Homeland (Albuquerque: University of New Mexico Press, 1989), pp. 230-241.
7. Alurista, ‘Cultural Nationalism and Chicano Literature: 1965-75’, in Renate von Bardeleben, Dietrich Briesemeister and Juan Bruce-Novoa (eds), Missions in Conflict: Essays on U.S.-Mexican Relations and Chicano Culture (Tubingen: Gunter Narr Verlag, 1986), pp. 41- 52.
8. Gloria Anzaldua, ‘The Homeland, Aztlan: El Otro Mexico’, in Borderlands, La Frontera: The New Mestiza, 2nd ed, (San Francisco: Aunt Lute Books, 1999), pp. 23-35.
9. Luis Leal, ‘Pre-Chicano Literature: Process and Meaning (1539-1959)’, in Francisco Lomeli (ed), Handbook of Hispanic Cultures in the United States: Literature and Art (Houston: Arte Publico Press, 1993), pp. 62-85.
10. Jose E. Limon, ‘With His Pistol in His Hand: The Essay as Strong Sociological Poem’, in Mexican Ballads, Chicano Poems: History and Influence in Mexican-American Social Poetry (Berkeley: University of California Press, 1992), pp. 61-77.
11. Angie Chabram, ‘Conceptualizing Chicano Critical Discourse’, in Hector Calderon and Jose David Saldivar (eds), Criticism in the Borderlands: Studies in Chicano Literature, Culture, and Ideology (Durham: Duke University Press, 1991), pp. 127-148.
12. Tey Diana Rebolledo, ‘Tradition and Mythology: Signatures of Landscape in Chicana Literature’, in Vera Norwood and Janice Monk (eds), The Desert is No Lady: Southwestern Landscapes in Women’s Writing and Art (Tucson: University of Arizona Press, 1997), pp. 96-124.
VOLUME II
Part 3: Chicano/a Fiction
13. Luther S. Luedtke, ‘Pocho and the American Dream’, in Vernon E. Lattin (ed.), Contemporary Chicano Fiction: A Critical Survey (Binghamton: Bilingual Press/Editorial Bilingingue, 1986), pp.62-81.
14. Julian Olivares, ‘Tomas Rivera: Introduction’, in Julian Olivares (ed.), Tomas Rivera: The Complete Works (Houston: Arte Publico Press, 1992), pp.13-46.
15. Ramon Saldivar, ‘Beyond Good and Evil: Utopian Dialectics in Tomas Rivera and Osca Zeta Acosta’, in Chicano Narrative: The Dialectics of Difference (Madison: University of Wisconsin Press, 1990), pp. 74-102.
16. Paul Beekman Taylor, ‘Chicano Secrecy in the Fiction of Rudolfo A. Anaya’, Journal of the Southwest 39, 2, 1997, 239-265.
17. A. Robert Lee, ‘Chicanismo as Memory: The Fictions of Rudolfo Anaya, Nash Candelaria, Sandra Cisneros and Ron Arias’, in Amritjit Singh, Joseph T. Skerrett, Jr., and Robert E. Hogan (eds), Memory and Cultural Politics: New Approaches to American Ethnic Literatures (Boston: Northeastern Press, 1996), pp. 320-339.
18. Teresa McKenna, ‘Power Reversals and the Comic: Rolando Hinojosa as a Political Writer’, in Migrant Song: Politics and Process in Contemporary Chicano Literature (Austin: University of Texas Press, 1997), pp.73-102.
19. Elizabeth Mermann-Jozwiak, ‘Gritos desde la Frontera: Ana Castillo, Sandra Cisneros, and Postmodernism’, MELUS 25, 2, 2000, 101-118.
20. Stella Bolaki ‘“This Bridge We Call Home”: Crossing and Bridging Spaces in Sandra Cisneros’s The House on Mango Street’, Borders and Boundaries: eSharp, Issue 5, (Summer 2005), 1-14.
21. Roland Walter, ‘The Cultural Politics of Dislocation and Relocation in the Novels of Ana Castillo’, MELUS 23, 1, 1998, 81-97.
22. The Cultural Politics of Dislocation and Rebellion in the Novels of Ana Castillo, MELUS, 23:1 (Spring) 1998, 81-97.
23. B. Marie Christian, ‘Many Ways to Remember: Layered Time in Mora’s House of Houses’, MELUS 30, 1, 2005, 135-148.
24. Maya Socolovsky, ‘Narrative and Traumatic Memory in Denise Chavez’s Face of an Angel’, MELUS 28, 4, 2003, 187-205.
25. Norma Alarcon, ‘Making Familia from Scratch: Split Subjectivities in the Work of Helena Maria Viramontes and Cherrie Moraga’, in Maria Herrera-Sobek and Helena Maria Viramontes (eds), Chicana Creativity & Criticism, 2n ed. (Albuquerque: University of New Mexico Press, 1996), pp. 220-232.
26. Susan Baker Sotelo, ‘Marginalization in Aztlan: Michael Nava’s Gay Detective’, in Chicano Detective Fiction: A Critical Study of Five Novelists (Jefferson: McFarland & Company, Inc., 2005), pp. 123-148.
27. Ralph E. Rodriguez, ‘Lucha Corpi’s Gloria Damasco Series’, in Brown Gumshoes: Detective Fiction and the Search for Chicana/o Identity (Austin: University of Texas Press, 2005), pp. 55-77.
VOLUME III
Part 4: Chicano/a Poetry
28. Rafael Perez-Torres, ‘From the Homeland to the Borderlands, the Reformation of Aztlan: Rodolfo Gonzalez, Jimmy Santiago Baca, Lorna Dee Cervantes, Ana Castillo, Gloria Anzaldua’, in Movements in Chicano Poetry (Cambridge: Cambridge University Press, 1995), pp. 56-96.
29. Marissa Lopez, ‘The Language of Resistance: Alurista’s Global Poetics’, MELUS 33, 1, 2008, 93-115.
30. Yves-Charles Grandjeat, ‘Ricardo Sanchez: The Poetics of Liberation’, in Genevieve Fabre (ed.), European Perspectives on Hispanic Literature in the United States (Houston: Arte Publico Press, 1988), pp. 33-43.
31. Juan Bruce-Novoa, ‘Rescuing the World Cente: Montoya, Navarro, Delgado, Salinas’, in Chicano Poetry: A Response to Chaos (Austin: University of Texas Press, 1982), pp. 14-47.
32. Jose David Saldivar, ‘Changing Borderland Subjectivities: Montoya, Zamora, Rios’, Border Matters: Remapping American Cultural Studies (Berkeley: University of California Press, 1997), pp. 57-71.
33. Ernesto Padilla, ‘With Our Very Own Names, or There is Room Here for Two Tongues Inside This Kiss: The Voice of Carmen Tafolla’, in Ernesto Padilla (ed.), Sonnets to Human Beings and Other Selected Works by Carmen Tafolla (Santa Monica: Lalo Press, 1992), pp. 180-193.
34. Alberto Julian Perez, ‘Tino Villanueva’, in Alan West-Duran (ed.), Latino and Latina Writers (New York: Charles Scribner’s Sons, 2004), pp. 527-536.
35. Charles Tatum, ‘Gary Soto’, in Alan West-Duran (ed.), Latino and Latina Writers (New York: Charles Scribner’s Sons, 2004), pp. 475-490.
36. Lisa Tatonetti, ‘A Kind of Queer Balance’: Cherrie Moraga’s Aztlan, MELUS, 29, 2, 2004, 227-247.
37. Deborah L. Madsen, ‘Lorna Dee Cervantes’, in Contemporary Chicana Literature (Columbia: University of South Carolina Press, 2000), pp. 196-228.
38. Marta Ester Sanchez, ‘The Dramatization of a Shifting Poetic Consciousness: Bernice Zamora’s Restless Serpents’, in Contemporary Chicana Poetry: A Critical Approach to an Emerging Literature (Berkeley: University of California Press, 1985), pp. 214-268.
39. Julian Olivares, ‘Seeing and Becoming: Evangelina Vigil, Thirty a’n Seen a Lot’, in John A. Garcia, Theresa Cordova and Juan R. Garcia (eds), The Chicano Struggle: Analyses of Past and Present Efforts (Binghamton: Bilingual Press/Editorial Bilingue, 1984), pp.152-165.
Part 5: Chicano Drama
40. Arturo Ramirez, ‘Contemporary Chicano Theater’, in David R. Maciel, Isidro D. Ortiz and Maria Herrera-Sobek (eds), Chicano Renaissance: Contemporary Cultural Trends (Tucson: University of Arizona Press, 2000), pp. 233-260.
41. Jorge A. Huerta, ‘Chicano Theater, Themes and Forms, Justice: On the Streets and in the Courts’, in Chicano Theater: Themes and Forms (Ypsilanti: Bilingual Press/Editorial Bilingue, 1982), pp. 155-185.
42. Luis Valdez, ‘El Teatro Campesino ? Its Beginnings’, in Ed Ludwig and James Santibanez (eds), The Chicanos: Mexican American Voices (Baltimore: Penguin Books, 1971), pp.115-119.
43. Guillermo E. Hernandez, ‘Luis Valdez and Actos of Teatro Campesino’, in Chicano Satire: A Study in Literary Culture (Austin: University of Texas Press, 1991), pp. 31-51.
44. Stacy Alaimo, ‘Multiculturalism and Epistemic Rupture: The Vanishing Acts of Guillermo Gomez-Pena and Alfredo Vea Jr.’, MELUS, 25, 2, 2000, pp. 163-185.
Part 6: Chicano/a Autobiographical Studies
45. Michael Hames-Garcia, ‘Dr. Gonzo´s Carnival: The Testimonial Satires of Oscar Zeta Acosta’, American Literature, 72, 3, 2000, pp. 463-493.
46. Henry Staten, ‘Ethnic Authenticity, Class, and Autobiography: The Case of Hunger of Memory’, PMLA 113, 1, 1998, 103-116.
47. Elizabeth Fertz, ‘Richard Rodriguez: Reluctant Romantic’, Early American Literature, 43, 2, 2008, 443-452.
VOLUME IV
Part 7: Puerto Rican/Puerto Riqueno/a Overviews
48. Juan Flores, ‘Puerto Rican Literature in the United States: Stages and Perspectives’, Divided Borders: Essays on Puerto Rican Identity, ADE Bulletin (Association of Departments of English), 91, 1988, 39-44
49. Lisa Sanchez Gonzalez, ‘The Boricua Novel: Civil Rights and the “New School” Nuyorican Narratives’, in Boricua Literature: A Literary History of the Puerto Rican Diaspora (New York: New York University Press, 2001), pp. 102-133.
50. Edna Acosta-Belen, ‘Beyond Island Borders: Ethnicity, Gender, and Cultural Revitalization in Nuyorican Literature’, Callaloo 15, 4, 1992, 979-998.
Part 8: Puerto Rican/Riqueno Literature
51. Marta Caminero-Santangelo, ‘“Puerto Rican Negro”: Defining Race in Piri Thomas’s Down These Mean Streets’, MELUS 29, 2, 2004, 205-226.
52. Barbara Roche Rico, ‘“Rituals of Survival”: A Critical Assessment of the Fiction of Nicholasa Mohr’, Frontiers, 28, 3, 2007, 160-179.
53. Maya Scolovsky, ‘Telling Stories of Transgression: Judith Ortiz Cofer’s The Line of the Sun’, MELUS, 34, 1, 2009, 95-116.
54. Thomas McConnell, ‘Fragmentation and Assimilation in Judith Ortiz Cofer’s Latin Deli and Year of Our Revolution’, Atenea 22, 1-2, 2002, 57-63.
55. Carmen S. Rivera, ‘The Fluid Identity of Rosario Morales and Aurora Levins Morales in Getting Home Alive’, in Kissing the Mango Tree: Puerto Rican Women Rewriting American Literature (Houston: Arte Publico Press, 2002), pp. 56-76.
56. Wolfgang Binder, ‘“A Midnight Reality”: Puerto Rican Poetry in New York, a Poetry of Dreams’, in Genevieve Fabre (ed.), European Perspectives on Hispanic Literature of the United States (Houston: Arte PublicoPress, 1988), pp. 22-32.
57. Michael Dowdy, ‘“A Mountain/in My Pocket”: The Affective Spatial Imagination in Post-1952 Puerto Rican Poetry’, MELUS, 35, 2, 2010, 41-67.
58. Francis R. Aparicio, ‘Salsa, Maracas, and Baile: Latin Popular Music in the Poetry of Victor Hernandez Cruz’, MELUS, 16, 1, 1989-1990, 43-58.
59. Thomas Fink, ‘Visibility and History in the Poetry of Martin Espada’, The Americas Review 25, 1999, 202-221.
60. Stephanie Alvarez Martinez, ‘!?Que.que?! ? Transculturacion and Tato Laviera’s Spanglish Poetics’, Centro Journal, XVIII, 1, 2006, 25-47.
61. Miriam DeCosta-Willis, ‘Sandra Maria Esteves’ Nuyorican Poetics: The Signifying Difference’, Afro-Hispanic Review, 23, 2, 2004, 3-12.
62. J. Chris Westgate, ‘Towards a Rhetoric of Sociospatial Theatre: Jose Rivera’s Marisol’, Theatre Journal, 59, 2007, 21-37.
Part 9: Cuban American Literature
63. Rodolfo J. Cortina, ‘Cuban Literature in the United States: 1824-1959’, in Ramon Gutierrez and Genaro Padilla (eds), Recovering the U.S. Hispanic Literary Heritage (Houston: Arte Publico Press, 1993), pp. 69-88.
64. Isabel Alvarez-Borland, ‘Displacements and Autobiography in Cuban-American Fiction’, World Literature Today, 68, 1, 1994, 43-48.
65. Eliano Rivero, ‘From Immigrants to Ethnics: Cuban Women Writers in the U.S.’, in Asuncion Horno-Delgado, Elena Ortega, Nina M. Scott and Nancy Saporta Sternback (eds), Breaking Boundaries: Latina Writing and Critical Readings (Amherst: University of Massachusetts Press, 1989), pp. 189-200.
66. Juan Bruce-Novoa, ‘Hijuelos’ Mambo Kings: Reading from Divergent Traditions’, Confluencia, 10, 2, 1995, 11-22.
67. Maya Socolovsky, ‘The Homelessness of Immigrant American Ghosts: Hauntings and Photographic Narrative in Oscar Hijuelos’s The Fourteen Sisters of Emilio Montez O’Brien’, PMLA, 117, 2, 2002, 252-264.
68. Rocio G. Davis, ‘Back to the Future: Mothers, Languages, and Himes in Cristina Garcia´s Dreaming in Cuban’, World Literature Today, 74, 1, 2000, 60-68.
69. Beatriz Rivera Barnes, ‘Stealing the Nation. Three Women Writers in the U.S.: Lourdes Casal, Dolores Prida, and Achy Obejas’, Internet, downloaded January 2013.
VOLUME IV
Part 10: Dominican American Literature
70. Kiley J. Guyton Acosta, ‘Writing Back to the Island: Revisionist Historiographies in Dominican-American Fiction’, Brujula, 8, 2010, 58-82.
71. Fernando Valerio-Holguin, ‘Dominican-American Writers: Hybridity and Ambivalence’, trans. Scott Cooper, Forum on Public Policy On Line: A Journal of the Oxford Round Table, 2006, 1-16.
72. David Cowart, ‘Immigration and Primal Scene: Alvarez’s How the Garcia Girls Lost their Accents’, in Trailing Clouds: Immigrant Fiction in Contemporary America, (Ithaca: Cornell University Press, 2006), pp. 41-54.
73. Steve Criniti, ‘Collecting Butterflies: Julia Alvarez’s Revision of North American Collective Memory’, Modern Language Studies, 36, 2, 2007, 42-63.
74. Anne Garland Mahler, ‘The Writer as Superhero: Fighting the Colonial Curse in Junot Diaz’s The Brief Wondrous Life of Oscar Wao’, Journal of Latin American Cultural Studies, 19, 2, 2010, 119-140.
75. Emilia Maria Duran-Almarza, ‘Ciguapas in New York: Transcultural Ethnicity and Transracialization in Dominican American Performance’, Journal of American Studies, 46, 1, 2012, 139-153.
Part 11: North American Latino/a Writings
76. George Monteiro, ‘Persons, Poems, and Other Things Portuguese in American Literature’, Gavea-Brown, XVII-XVIII, 1996-1997, 3-24.
77. Michael Templeman,‘Becoming Transnational and Becoming Machinery in Francisco Goldman’s The Ordinary Seamen’, Symplok?, 14, 1-2, 2006, 271-288.
Index
|
