| エディション・シナプスでは、 多文化アメリカ文学研究のテーマ別論文を各４-５巻にまとめるコレクションの出版を始めておりますが、第１弾として2011年に刊行した『ネイティブ・アメリカン文学―英語論文集成』全４巻、第２弾『アジア系アメリカ文学』（2012年春刊行予定）に続き、2012年秋にアフリカ系アメリカ文学に関する研究論文、批評集成を刊行いたします。
80点強の文献を集める本集成は、いままでの主要作家の選集や特定テーマの学生向けリーダーやハンドブックとは異なり、アフリカ系アメリカ人の歴史・文化研究へも目配りしながら今後のアフリカ系アメリカ文学研究の指針となる先行論文や批評を包括的に集め、テーマ別に編集しています。口承文学や最初期の奴隷たちの自伝的記述、W・E・B・デュボイス、フレデリック・ダグラスといった指導者達の言論、文学?芸術?音楽?ダンスなどアフリカ系 アメリカ文化が一気に開花した1920年代のハーレム・ルネサンス、そしてジェイムズ・ボールドウィン、アリス・ウォーカー、トニ・モリソンを始め戦後から今日にいたる作家の小説、詩、戯曲等々、あらゆる時代とテーマに関する論述を網羅しています。マイノリティー文学研究の第一人者である編者による浩瀚な解説が書き下ろされ、詳細な書誌、年表などの付加資料とともに収載されます。アフリカ系アメリカ文学研究は元より、今後のアメリカ文学・文化の統括的研究・教育に不可欠な文献集です。
●収録文献
VOLUME I
CHRONOLOGICAL TABLE OF REPRINTED ARTICLE AND CHAPTERS
SELECTIVE HISTORICAL CHRONOLOGY
BIBLIOGRAPHY OF AFRICAN AMERICAN WRITING
INTRODUCTION
A. ROBERT LEE
PART I: African American Literary-Cultural Statements
1 What to the Slave is the Fourth of July? An Address Delivered in Rochester, New York, on 5 July 1852 / FREDERICK DOUGLASS
2 The New Negro / ALAIN LOCKE
3 The Negro Artist and the Racial Mountain / LANGSTON HUGHES
4 Criteria For Negro Art / W.E.B. DUBOIS
5 Post-bellum ? Pre-Harlem / CHARLES W. CHESNUTT
6 How It Feels To Be Colored Me / ZORA NEALE HURSTON
7 The World and the Jug / RALPH ELLISON
8 Many Thousands Gone / JAMES BALDWIN
9 Integration and Race Literature / ARTHUR P. DAVIS
10 The Myth of a “Negro Literature”/ LEROI JONES
11 Dilemma of the Negro Novelist in the United States / CHESTER HIMES
12 Introduction: The Reed Reader / ISHMAEL REED
13 If the Present Looks Like the Past, What Does the Future Look Like? / ALICE WALKER
14“What’s in a Name?” Some Meanings of Blackness / HENRY LOUIS GATES, Jr
PART 2: Overviews
15 Harlem on My Mind: Fictions of a Black Metropolis / A. ROBERT LEE
16 In Our Own Time: The Florescence of Nationalism in the Sixties and Seventies / HOUSTON A. BAKER, Jr.
17 Trajectories of Self-definition: Placing Contemporary Afro-American Women’s Fiction / BARBARA CHRISTIAN
PART 3: Theory Perspectives
18 The Black Aesthetic: Introduction / ADDISON GAYLE JR
19 The Black Arts Movement / LARRY NEAL
20 The Blackness of Blackness: a Critique of the Sign and the Signifying Monkey / HENRY LOUIS GATES JR.
21 The Idea of Ancestry: African-American Writers / KARLA F.C. HOLLOWAY
VOLUME II
PART 4: Oral Tradition and Legacy
22 Through the Prism of Folklore: The Black Ethos in Slavery / STERLING STUCKEY
23 Black Folklore and the Black American Literary Tradition / Houston A. BAKER, Jr.
PART 5: Literary critique and slavery studies
24 Africa, Slavery, & The Roots of Contemporary Black Culture / MARY F. BERRY and JOHN W. BLASSINGAME
25 I Rose and Found My Voice: Narration, Authentication, and Authorial Control in Four Slave Narratives / ROBERT B. STEPTO
26 Form and Ideology in Three Slave Narratives / VALERIE SMITH
27 Out of Slavery / SANDI RUSSELL
PART 6: Early and Reconstruction African American Texts
28 Phillis Wheatley’s Construction of Otherness and the Rhetoric of Performed Ideology / MARY McALEER BALKUN
29 Dwelling in the House of Oppression: The Spatial, Racial, and Textual Dynamics of Harriet Wilson’s Our Nig / LOIS LEVEEN
30 The Specter of Conspiracy in Martin Delaney’s Blake / REBECCA SKIDMORE BIGGIO
31 Trunk and Branch: Charles Waddell Chesnutt, 1858-1932 / LADELL PAYNE
32 A Necessary Ambivalence: Sutton Griggs’s Imperium in Imperio and Charles Chesnutt’s The Marrow of Tradition / JANE CAMPBELL
33 Paul Laurence Dunbar: A Credit to His Race? / LILLIAN S. ROBINSON AND GREG ROBINSON
34 Pauline Hopkins: Our Literary Foremother / CLAUDIA TATE
35 The Souls of Black Folk: Reading Across the Color Line / SANDRA ADELL
VOLUME III
PART 7: New Negro and Harlem Renaissance
36 Revising Critical Judgments of The Autobiography of an Ex-Colored Man / HEATHER RUSSELL ANDRADE
37 Langston Hughes’s Poems and the Metaphysics of Simplicity / KARL HENZY
38 The Negro Renaissance: Jean Toomer and the Harlem Writers of the 1920s / ARNA BONTEMPS
39 The Aggregate Man in Jean Toomer’s Cane / WILLIAM C. FISCHER
40 Countee Cullen: the Lost Ariel / DARWIN T. TURNER
41 Writing from the Margins of the Margins: Michael Gold’s Jews Without Money and Claude McKay’s Home to Harlem / CATHERINE ROTTENBERG
42 How It Feels to Be Colored Me”: Social Protest in the Fiction of Zora Neale Hurston / SHARON L. JONES
43 Passing in the Fiction of Jessie Redmon Fauset abd Nella Larsen / MARY CONDE
44 Sweetback Style: Wallace Thurman and a Queer Harlem Renaissance / STEPHEN P. KNADLER
PART 8: Richard Wright, Chester Himes, Ann Petry, Frank Yerby, Margaret Walker and John A. Williams
45 Richard Wright’s Inside Narratives / A. ROBERT LEE
46 Assuming the Position: Fugivity and Futurity in the Work of Chester Himes / KEVIN BELL
47 Buried Alive: Gothic Homelessness, Black Women’s Sexuality, and (Living) Death in Ann Petry’s The Street / EVIE SHOCKLEY
48 Frank Yerby and the “Costume Drama” of Southern Historiography / STEPHANIE BROWN
49 Margaret Walker’s Jubilee: The Black Woman’s Celebration of Human Community / MINROSE C. GWIN
50 Black Power beyond Black Nationalism: John A. Williams, Cultural Pluralism, and the Popular Front / MATTHEW CALIHMAN
PART 9: Ellison and Baldwin
51 Frequencies of Eloquence: the Performance and Composition of Invisible Man / JOHN F. CALLAHAN
52 Ralph Ellison, Juneteenth, and African American prophecy / CHRISTOPHER Z. HOBSON
53 Finding The Words: Baldwin, Race Consciousness, and Democratic Theory / LAWRIE BALFOUR
54 Refiguring the Flesh: The Word, the Body, and the Rituals of Being in Beloved and Go Tell It On The Mountain / CAROL E. HENDERSON
VOLUME IV
PART 10: Modern African American Fiction
55 The Morrison Trilogy / JUSTINE TALLY
56 The Color Purple / MARIA LAURET
57 Women’s Blues: The Fiction of Toni Cade Bambara and Alice Walker / KEITH E. BYERMAN
58 Beyond Morrison and Walker: Looking Good and Looking Forward in Contemporary Black Women’s Stories / E. SHELLEY REID
59 American Neo-Hoodooism: the Novels of Ishmael Reed / PIERRE-DAMIAN MVUEKURE
60 Paule Marshall’s Witness to History / MISSY DEHN KUBITSSCHEK
61 The Quarters: Ernest Gaines and the Sense of Place / CHARLES H. ROWELL
62 Gloria Naylor’s Extending the Line: From Sula to Mama Day / CHERYL A. WALL
63“As Within, So it is Without”: The Composite Self in Charles Johnson’s Oxherding Tale and Middle Passage / PHILIP PAGE
64 The Iron Fettered Weight of all Civilization: The Project of Barbara Chase-Riboud’s Narratives of Slavery / ASHRAF H. A. RUSHDY
65 Inverting History in Octavia Butler’s Postmodern Slave Narrative / MARC STEINBERG
66 Trey Ellis / DANIEL GRASSIAN
67“When the Women Tell Stories”: Healing in Edwidge Dantikat’s Breath, Eyes, Memory / DANA A. WILLIAMS
68 The Politics of Style in Three Stories by James Alan McPherson / JON WALLACE
VOLUME V
PART 11: Modern African American Poetry
69 Gwendolyn Brooks’ Poetic Realism: A Developmental Survey / GEORGE KENT
70 Melvin B. Tolson and the Deterritorialization of Modernism / ALDON L. NIELSEN
71 (a) Robert Hayden: The Man in the Middle / W.D. SNODGRASS
(b) Every Shut-Eye Aint Asleep/Every Good-bye Aint Gone, Robert Hayden (1913-1990) / MICHAEL HARPER
72 After Modernism, After Hibernation: Michael Harper, Robert Hayden, and JayWright / ROBERT B. STEPTO
73“These Are The Songs If You Have the Music”: An Essay on Imamu Baraka / HOUSTON A. BAKER, Jr.
74 Sonia Sanchez: The Will and the Spirit / D.H. MELHEM
75 Blue Syntaxopones: The Poetry of Bob Kaufman / ROBERT ELLIOT FOX
76 Living on the Line: Audre Lorde and Our Dead Behind Us / GLORIA T. HULL
77 Rita Dove and The Art of History / PAT RIGHELATO
78 Trickster Poetics: Multiculturalism and Collectivity in Nathaniel Mackey’s Song of Andoumboulou / MEGAN SIMPSON
PART 12: African American Drama
79 Lorraine Hansberry / MARGARET B. WILKERSON
80 The Role of Memory in August Wilson’s Four-Hundred-Year Autobiography / SANDRA G. SHANNON
81 African American Representations in Thugh Plays of Suzan-Lori Parks / KEVIN WETMORE
PART 13: African American Autobiography
82 The Stance of Self-Representation: Founders, Moderns and Contemporaries in African American Autobiography / A. ROBERT LEE
83 Maya Angelou: The Creation of a Positive Black Self / EVA LENNOX BIRCH
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